BARRE
| Exercise | Piece | Artist |
| Warm up, foot articulation, turn out drill | Handel’s Berenice: Minuet | Academy of St. Martin in the Fields, Sir Neville Marriner & Ian Watson |
| Pliés | Close Every Door (from: Joseph and The Amazing Technicolour Dreamcoat) | Barry Wordsworth, Julian Lloyd Webber & The Royal Philharmonic Orchestra |
| Love Changes Everything (from: Aspects of Love) | Barry Wordsworth, Julian Lloyd Webber & The Royal Philharmonic Orchestra | |
| Tendus from 1st | Au revoir mon ami | Buster B Jones and Thom Bresch |
| Sentimental Journey | Michael Maxwell & his Orchestra & the Steve Wingfield Band | |
| Tendus from 5th | Waltz for Django | Antonio Forcione |
| Farewell to Stromness | Peter Maxwell Davies | |
| Ohayoo Ohio | Pink Martini | |
| Dégagés | Whipped Cream | Herb Alpert & The Tijuana Brass |
| Prokofiev’s Romeo & Juliet, Op. 64, Act I: Masks | Berliner Philharmoniker & Esa-Pekka Salonen | |
| Strings & Threads Suite: II. Sailor’s Jig | Mark O’Connor, Metamorphosen Chamber Orchestra | |
| Scott Joplin’s Easy Winners | Itzhak Perlman & André Previn | |
| Palladio (1st Movement) | Karl Jenkins, London Philharmonic & The Smith Quartet | |
| Frappés, cou-de-pied drill | Ostinato (from Nuit Blanche) | Lupanar |
| Tchaikovsky Pas de Deux: III. Variation 2 | Anthony Goldstone | |
| Scott Joplin’s Elite Syncopations | Itzhak Perlman & Andre Previn | |
| Hallelujah I Love Him So | Eva Cassidy | |
| Temps lié & fondus | Ravel Piano Concerto in G Major: II. Adagio assai | Martha Argerich & Orchestra della Svizzera Italiana |
| Midsummer Night’s Dream (Nocturne) | Margot Kazimirska | |
| Miles of Blue | Joe Sample | |
| La Bayadère: No. 6 Moderato Assai | English Chamber Orchestra & Richard Bonynge | |
| Ronds de jambe | Make You Feel My Love | Adele |
| America, the Beautiful | John Allred & Wycliffe Gordon | |
| Distant Green Valley | Yo-Yo Ma & The Silk Road Ensemble | |
| From a Distance | Lisa Harris | |
| Mendelssohn’s Midsummer Night’s Dream: Nocturne | Margot Kazimirska | |
| Adagio, stretch | The Tsok Offering | Jean-Philippe Rykiel & Lama Gyurme |
| Philip Glass’ Tirol Piano Concerto | Dennis Russell Davies & Stuttgart Chamber Orchestra | |
| When the Saints Go Marchin’ In | Marian McPartland | |
| Mother (from: Kikujiro) | Joe Hisaishi | |
| The Rose | Bette Midler | |
| Grands battements | Prokofiev’s Romeo & Juliet: Dance of the Knights | London Symphony Orchestra & André Previn |
| Don’t Get Around Much Anymore | Michael Maxwell & His Orchestra & The Steve Wingfield Band | |
| Mercy | Duffy | |
| Ain’t That a Kick in the Head | Dean Martin & Kevin Spacey | |
| Ronds de jambe en l’air, pas de bourrée & pirouette prep | Peter Warlock’s Capriol Suite: Basse Danse | Academy of St. Martin in the Fields, Nicholas Kraemer & Sir Neville Marriner |
| That’s Life | Frank Sinatra | |
| Ronds de jambe en l’air | Michael Cherry | |
| Waltz from Coppélia | Berliner Philharmoniker & Herbert Von Karajan | |
| Piqué practice at the barre | For Once in My Life | Michael Bublé |
| Small jumps at the barre | Peter Warlock’s Capriol Suite: Mattachins & Tordion | Barry Wordsworth & Royal Philharmonic Orchestra |
| Bach Violin Concerto in A Minor, BWV 1041 – I. Allegro | Isaac Stern & The London Symphony Orchestra | |
| La Bayadère: No. 21 Allegretto | English Chamber Orchestra & Richard Bonynge |
CENTRE
| Tendus | Bhairv | Stephen Kent & Australian Bebop Ragas |
| Pachelbel’s Canon in D Major | The Classical Renaissance Symphony | |
| Sonata Quarta in D Major | Chatham Baroque | |
| Walking, chassés & pas de cheval | Aaron Copland: Appalachian Spring | Aaron Copland & The London Symphony Orchestra |
| Percy Grainger’s Country Gardens | Catherine Wilson & Ensemble Vivant | |
| Coppélia: Czardas | Sir Charles Mackerras & New Philharmonia Orchestra | |
| Pas de bourrée | Sentimental Journey | Margaret Fennell |
| Boccherini Cello Concerto in D – 3. Rondo | Yo-Yo Ma, Ton Koopman & Amsterdam Baroque Orchestra | |
| Pas de basque | Joe Hisaishi’s Summer | Angèle Dubeau & La Pietà |
| William Bolcom’s Graceful Ghost Rag | Richard Dowling | |
| Adagio, port de bras | Mendelssohn’s A Midsummer Night’s Dream Op. 61: Act 3 Nocturne | Gewandhausorchester Leipzig & Kurt Masur |
| Handel’s Concerto Grosso Op. 6 No. 12 in B, III. Aria | Southwest German Chamber Orchestra Pforzheim & Paul Angerer | |
| Astor Piazzola’s Oblivion | Lucia Micarelli | |
| Gimme Shelter | The Rolling Stones | |
| Metallica’s Nothing Else Matters | Apocalyptica | |
| Schubert’s Nacht Und Träume | Ian Bostridge & Julius Drake | |
| Peter Warlock’s Capriol Suite: Pavane | Royal Philharmonic Orchestra & Barry Wordsworth | |
| Beethoven’s Piano Sonata No. 23 in F Minor, Op. 57 “Appassionata” II. Andante con moto | Alexander Kolodochka | |
| Chopin Mazurka Op. 17 No. 4 | Olga Prjadko | |
| Another Last Goodbye | Aerosmith | |
| Waltz, pirouettes | Don Quixote: Pas de deux | Christopher Gordon (from Mao’s Last Dancer) |
| Chopin’s Les Sylphides: IV. Mazurka | Berliner Philharmoniker & Herbert von Karajan | |
| Raggy Waltz | Dave Brubeck | |
| Purcell: Abdelazer, Z. 570 “Moor’s Revenge”: Rondeau | Academy of Ancient Music & Christopher Hogwood | |
| Every Breath You Take | The Police | |
| Be Be Your Love | Rachael Yamagata | |
| Hispanic Dance [With a Blues Touch] | Claude Bolling and Alexandre Lagoya | |
| This Nearly Was Mine (from: South Pacific) | Paolo Szot | |
| Chaînés, pique turns | The Cello Song (arr. of Bach’s Unaccompanied Cello Suite No. 1: Prelude) | Steven Sharp Nelson |
| One Note Samba | Joao Battista | |
| Madhuvanti | Stephen Kent & Australian Bebop Ragas | |
| Sympathy for the Devil | The Rolling Stones | |
| Petit allegro | Africaine | Claude Bolling & Alexandre Lagoya |
| Mendelssohn’s A Midsummer Night’s Dream, Op. 61 No. 1 Scherzo | Boston Symphony Orchestra & Seiji Ozawa | |
| Allegria | The Gypsy Kings | |
| But Now He’s Back | Pink Martini | |
| Guts and Steel | Buster B Jones and Thom Bresch | |
| Bizet Symphony in C: Final Movement | Academy of St Martin in the Fields & Sir Neville Marriner | |
| Jumpin’ Jack Flash | Rolling Stones | |
| Bach: Concerto for A Minor for 4 Keyboards – 1. Allegro | Dave Grusin/ Lee Ritenour | |
| Mozart: Requiem in D Minor, K 626 – Quam Olim Abrahae | The Swingle Singers | |
| Grand allegro | Don Quixote pas de deux (Men’s variation) | Christopher Gordon (From: Mao’s Last Dancer) |
| Swan Lake: No. 13 VII. Coda | Royal Philharmonic Orchestra | |
| Chopin’s Les Sylphides: VIII Valse | Berliner Philharmoniker & Herbert von Karajan | |
| Bach: Brandenburg Concerto No. 6 in B Flat Major – III. Allegro | Giovanni Antonini & Il Giardino Armonico | |
| He’s a Pirate (From: Pirates of the Caribbean) | David Garrett | |
| Coppélia: Mazurka | Sydney Symphony Orchestra | |
| Sing, Sing, Sing | Michael Maxwell & His Orchestra & The Steve Wingfield Band | |
| Révérence | Elgar’s Enigma Variations: Nimrod (Lux Aeterna) | Amici Forever & Budapest Film Orchestra |
| 21 Guns | Green Day (From: American Idiot) | |
| On the Nickel | Tom Waits | |
| Star-Spangled Banner | Music Themes: Patriotic Songs on Piano | |
| Dona Nobis Pacem | Yo-Yo Ma & Chris Botti |