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4 OCTOBER 2024

State of Darkness Illumines A Poorly Curated Program 5 at Fall for Dance

Leigh Donlan reviewed the Saturday 28th Sept, 2024 performance at New York’s City Center

Fall for Dance concluded its 2024 festival at New York City Center this weekend with Program 5, a three-piece bill (plus a bonus) that set out to explore relationships but lost its way. Cassandra Trenary gave …

22 JULY 2024

Like Water for Chocolate: Too Many Ingredients

Leigh Donlan reviewed American Ballet Theatre’s evening performance on 20th July, 2024, at New York’s Metropolitan Opera House

ABT closed their summer season with the return of Christopher Wheeldon’s Like Water for Chocolate, a full-length story ballet based on the well-known modern Mexican novel, and a co-production with The …

19 JULY 2024

ABT’s Romeo and Juliet: An Enduring Masterpiece

Leigh Donlan reviewed the 13th July, 2024, performance at New York’s Metropolitan Opera House

I had the pleasure of seeing Catherine Hurlin and Calvin Royal III in ABT’s Romeo and Juliet last week. Royal delivered a more fully embodied character compared to his prior week’s Siegfried – paired beautifully with …

17 JULY 2024

Three New York Premieres from Smuin Ballet in an Uneven Evening at the Joyce

Leigh Donlan reviewed the 9th July, 2024, performance at New York City’s Joyce Theater

Amy Seiwert’s Renaissance made an empowering and inspiring centerpiece for Smuin Ballet’s return to the Joyce last week after a 12-year absence. The San Francisco company marked its 30th anniversary with three New York premieres that …

10 JULY 2024

ABT’s Swan Lake – A Classic in Need of a Tune-Up

Leigh Donlan reviewed the 5th July, 2024, evening performance at the Metropolitan Opera House in New York

Swan Lake glided into the Met last week as American Ballet Theatre continues its summer season, with the enchanting Christene Shevchenko as Odette/ Odile and dreamy Calvin Royal III as Prince Siegrfried on …