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Sasha Waltz & Guests: A Love Letter

October 28, 2014

Leigh Donlan reports from Zellerbach Hall in Berkeley:     An open love letter to Sasha Waltz and her “Guests” here would be inappropriate on many levels, so I will offer up the inadequacy of a review. Cal Performances brought more »

Anna Halprin in THE COURTESAN AND THE CRONE at The Joe Goode Annex  (Photo: Margo Moritz)

Have We Come A Long Way, Baby? asks Hope Mohr

October 25, 2014

  It was an ironic choice to use the catchphrase of an ad campaign that ripped off the women’s liberation movement to sell its product as the headline for an evening celebrating four generations of women pioneers of post-modern dance. That more »

Alberto Velazquez in Balanchine's Prodigal Son (Photo: Cheryl Mann)

Gripping tales of lust and regret from the Joffrey Ballet

October 23, 2014

  The Joffrey Ballet’s ambitious mixed bill, Stories in Motion, exploded onstage at the Auditorium Theatre in Chicago on September 20th: three ballets that trace a timeline of the infiltration of Modernism in ballet – from George Balanchine’s final work for more »

Mark Morris' JENN AND SPENCER (Photo: Stephanie Berger)

Mark Morris brings whimsy and terror back to Berkeley

October 22, 2014

    The 18th of September proved a global nail-biter, but after Scotland voted to uphold their historically rocky 300-year union with England, Mark Morris’ The Muir and A Wooden Tree, which opened his troupe’s season at Cal Performances in Berkeley one more »

Amber Scott and Adam Bull in Graeme Murphy's SWAN LAKE (Photo: Jeff Busby)

Australian Ballet gives Swan Lake a psychosexual spin

October 20, 2014

Leigh Donlan reports from Cal Performances at Zellerbach Hall:     The Australian Ballet, under the artistic direction of David McAllister, brought Graeme Murphy’s bold adaptation of Swan Lake to Cal Performances at Zellerbach Hall this weekend, and the modernist more »

Alex Carrington of tinypistol in Maurya Kerr's beast (Photo: David De Silva)

Reconstructing beauty: Maurya Kerr’s tinypistol

September 23, 2014

Leigh Donlan reports:     “I need to see the crawling after the howling.” Maurya Kerr is directing a rehearsal of beast, her latest work for her company, tinypistol, and it’s not quite the aesthetic that you’d expect from a more »