Viewing all posts by ballettothepeople

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16 FEBRUARY 2014

Tears and frivolity from the versatile Diablo Ballet

It’s not often that this hard-bitten critic is reduced to deciphering tear-stained notes, but such was the case after the February 1st performance by Diablo Ballet at the intimate and congenial Shadelands Arts Center in Walnut Creek. The waterworks were prompted by two of the five short dances on offer, …

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15 FEBRUARY 2014

Oregon Ballet Theatre unveils world première by Christopher Stowell

 


 

Portland will be the hot spot for ballet this coming week, with Oregon Ballet Theatre reprising three much-loved works, and premiering a new work by former Artistic Director Christopher Stowell.

Three of the pieces were created on the dancers of OBT.  Stowell recently returned to choreograph his first …

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5 FEBRUARY 2014

The Power of Simplicity: The Martha Graham Dance Company

Leigh Donlan reports from Zellerbach Hall in Berkeley:

 

 

Graham disciples from all over the Bay Area flocked to Zellerbach Hall on Friday night to celebrate the return of the Martha Graham Dance Company to Cal Performances, after a twenty-five year absence. In her introductory speech, Artistic Director Janet …

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4 FEBRUARY 2014

Straight talk for hip-hop and ballet dudes

 

Jon B. wrote:

I’m a hip-hop dancer at a studio where ballet is also taught and I’m thinking of joining the beginning ballet class. I have no aspirations in ballet, I just want to be a stronger hip-hop dancer and I think the technique will help me. I noticed …

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4 FEBRUARY 2014

San Francisco Ballet’s immortal Giselle

Leigh Donlan reports from the War Memorial Opera House, San Francisco:

 

 

If a ballerina makes it far enough into her career to dance the title role of Giselle, she is considered a ‘complete’ dancer. This is a triple role, three different women in one- a fragile hearted girl, …

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