Firing squads & zombies in Milwaukee Ballet’s war-time Giselle
Michael Pink’s reworking of Giselle for Milwaukee Ballet may not be the most farfetched distortion of the Romantic classic. But Pink’s setting of the ballet in a 1940’s Jewish ghetto, policed by armed guards, and the mass execution of ghetto inhabitants, who then resurrect as zombie-like Wilis in white pyjamas, …
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