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Latest Posts

• Inventive New Collaborations in CounterPointe 12March 16, 2025
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  by ballettothepeople
• By Land and Sea, Tharp’s JubileeMarch 16, 2025
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  by ballettothepeople
• Poetic Justice: Ethan Stiefel’s Spirit of the HighlandsMarch 4, 2025
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  by ballettothepeople
• Unity Saves the DayMarch 3, 2025
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• Akram Khan’s Provocative and Timely GIGENISFebruary 18, 2025
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  by ballettothepeople
• New Paquita, Mixed ResultsFebruary 12, 2025
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  by ballettothepeople
• Saints, Sinners & Shortstops, from a legend in his own timeFebruary 8, 2025
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  by ballettothepeople
• The Mystical Beauty of Compagnie Hervé KOUBIFebruary 3, 2025
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  by ballettothepeople
• Ronald K. Brown/ EVIDENCE: Being the change for 40 yearsJanuary 27, 2025
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  by ballettothepeople
• Ragamala’s Children of Dharma: A Well-timed Tale Told in DanceJanuary 15, 2025
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  by ballettothepeople
• Crime and Punishment: A Novel Ballet Lost in TranslationNovember 5, 2024
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  by ballettothepeople
• Otherworldly: ABT’s Signature WorksOctober 30, 2024
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  by ballettothepeople
• ‘Neo’ at the Heart of ABT’s Second ProgramOctober 24, 2024
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  by ballettothepeople
• Dazzled as ABT’s Fall Season BeginsOctober 23, 2024
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  by ballettothepeople
• State of Darkness Illumines A Poorly Curated Program 5 at Fall for DanceOctober 4, 2024
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  by ballettothepeople
• Like Water for Chocolate: Too Many IngredientsJuly 22, 2024
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  by ballettothepeople
• ABT’s Romeo and Juliet: An Enduring MasterpieceJuly 19, 2024
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  by ballettothepeople
• Three New York Premieres from Smuin Ballet in an Uneven Evening at the JoyceJuly 17, 2024
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  by ballettothepeople
• ABT’s Swan Lake – A Classic in Need of a Tune-UpJuly 10, 2024
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  by ballettothepeople
• Woolf Works: A Novel Ballet, to a Relentless ScoreJuly 2, 2024
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  by ballettothepeople
• Tender and Bold: ABT Studio Company at The JoyceMay 8, 2024
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  by ballettothepeople
• Why Women Leave and Other Takeaways from ‘Brilliant Exiles’April 28, 2024
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  by ballettothepeople
• The Look (and Gift) of Love: Mark Morris Dance Group at BAMMarch 22, 2024
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  by ballettothepeople
• An immortal heroine: Philadelphia Ballet’s GiselleMarch 1, 2024
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  by ballettothepeople
• The genius of Antony Tudor: 5 ballets you can watch now, in your pyjamasApril 3, 2020
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  by ballettothepeople
• Lauren Lovette takes on Odette-Odile at NYCBMarch 8, 2020
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  by ballettothepeople
• Building Character in Alberto Alonso’s CarmenNovember 20, 2019
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  by ballettothepeople
• Meeting Alicia: Toba Singer reminiscesOctober 20, 2019
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  by ballettothepeople
• Balanchine & Cunningham: New York City Ballet fires on all cylindersOctober 15, 2019
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  by ballettothepeople
• The Mysteries and Celebrations of Falling for Dance (I and II) at New York’s City CenterOctober 11, 2019
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  by ballettothepeople